A Comparison of the ‘An Allegory of the Tudor Succession’ Paintings

Depicting a powerful ruler through paintings, writing, music and statues has its roots in propaganda and shows a desire to be remembered once deceased. In this enthralling article, the symbolism behind the royal portraiture of the Tudor period, specifically through two almost identical paintings depicting Henry VIII and his children, all of which ruled England, is thoroughly analysed. The first is named ‘The Family of Henry VIII: An Allegory of the Tudor Succession’ by Lucas de Heere from 1572 and the second is ‘An Allegory of the Tudor Succession: The Family of Henry VIII’ by an unknown artist from 1590.
AUTHOR: ANNON FORD